Is being rich a choice? Why or why not? Be sure to explain why the other
  opinion is wrong (Concession) as well as why your opinion is correct.


Respond to someone's post whose opinion is opposite of yours.

    In my opinion I think being rich is a choice. Well, aside from being born into a 
 wealthy family, being rich is a life choice. Many people do save money for
their  future to become wealthy, which is a choice. Others still stuck in
middleclass  disease will forever not be wealthy. The people who win the lottery
do not  always end up in debt, many do waste the money, but some actually watch
their  spending. The smart people who win the lottery put it in the bank. The
people  who are born into a wealthy do not know anything else other than being
rich,  which is not their choice. Almost all wealthy people work for what they
have,  which working is a choice

ATTENTION: Lisseth, I agree with you because you basically took the words right
  out of my mouth. I didn't think of how some wealthy people do not have to have
  possessions to show that they are rich.


 
The following are the 7 rules for economic success according
The Richest man in Babylon by Richard Clason. Which one will be the
  hardest for you to follow? Why? Which will be the easiest? Why?


1. Start thy purse to fattening


2. Control thy expenditures


3. Make thy gold multiply


4. Guard thy treasures from loss


5. Make of thy dwelling a profitable investment


6. Insure a future income


7. Increase thy ability to earn


The hardest rule for me to follow will have to be "Control thy
expenditures,"  because we all like nice things. There are times that I just
want to go out and  buy something. I am good at savings, but sometimes I just
like to go out and  spend some money. The easiest rule for me would have to be
"start thy purse to  fattening," whenever I get money I put it somewhere and
save it for a while. I  like to stash up some twenties and save my money, but
then I end up spending it.
 
Choose a line from Act II in Hamlet that is particularly fresh,
  engaging, or beautiful. Cite the line properly using MLA format. Identify who
  said it, what it means, and why you think it is particularly fresh, engaging,
or  beautiful.

 How to Cite Shakespeare inMLA

 ¦ Italicize the titles of plays:

 Richard III or Othello.

 ¦
Cite line and page numbers up to 101 like this: 34-37; above 100,
you  repeat only the last two figures: 211-12 (but of course, 397-405 and
96-109).  Use arabic numerals rather than roman numerals for citations of acts,
scenes,  and line numbers:


 Twelfth Night (1.5.268-76).

 
¦ Always use arabic numerals to refer to acts and
scenes:


 In 3.1, Hamlet delivers his most famous soliloquy.

 (Do NOT say: In Act III, scene i, Hamlet delivers his most famous soliloquy.) 
 
¦ Periods and commas ALWAYS go inside quotation marks:

 “Periods and commas,” says Dr. Womack, “ALWAYS go inside quotation
  marks.”

 
¦ If a prose quotation runs four lines or less, put it in quotation
  marks and incorporate it in the text:


 The immensely obese Falstaff tells the Prince: “When I was about thy years,
  Hal, I was not an eagle’s talon in the waist; I could have crept into any
  alderman’s thumb ring” (2.4.325-27).

 ¦
If a prose quotation runs to more than four lines, set it off from
your  text by beginning a new line, indenting one inch from the left margin, and
type  it double-spaced, without adding quotation marks. A colon generally
introduces  an indented quotation.


 In Much Ado About Nothing, Benedick reflects on what he has overheard
  Don Pedro, Leonato, and 

This can be no trick. The conference was sadly borne. They have the truth of
  this from Hero. They seem to pity the lady. It seems her affections have their
  full bent. Love me? Why, it must be requited. I hear how I am censured. They
say  I will bear myself proudly if I perceive the love come from her; they say
too  that she will rather die than give any sign of affection. (2.3.217-24)

 ¦
If you quote all or part of a single line of verse, put it in
quotation  marks within your text:


 Berowne’s pyrotechnic line “Light, seeking light, doth light of light
  beguile” is a text-book example of antanaclasis (1.1.77).

 ¦
You may also incorporate two or three lines in the same way, using
a  slash with a space on each side ( / ) to separate them:


 Claudius alludes to the story of Cain and Abel when he describes his crime:
“It hath the primal eldest curse upon’t, / A brother’s murder” (3.3.37-38).

 ¦
Verse quotations of more than three lines should begin on a new
line.  Indent each line one inch from the left margin and double-space between
lines,  adding no quotation marks that do not appear in the original. If the
quotation  starts in the middle of a line of verse, reproduce it that way, do
not shift it  to the left margin:


 Jaques begins his famous speech by comparing the world to a theater:

                                         All the world’s a stage

 And all the men and women merely players:

 They have their exits and their entrances;

 And one man in his time plays many parts,

 His acts being seven ages. (2.7.138-42)

 He then proceeds to enumerate and analyze these ages. 

¦
If you quote dialogue between two or more characters in a play, set
the  quotation off from your text. Begin each part of the dialogue with the
  appropriate character’s name indented one inch from the left margin and written
  in all capital letters. Follow the name with a period, and start the quotation.
  Indent all subsequent lines in the character’s speech an additional quarter
  inch. When the dialogue shifts to another character, start a new line indented
  one inch from the left margin. Maintain this pattern throughout the entire
  quotation.


 A short time later, Lear’s daughters try to dismiss all of their father’s
  servants:

 GONERIL.                         Hear me, my lord.

      What need you five-and-twenty, ten, or five

      To follow in a house where twice so many

      Have command to tend you?

 REGAN.                                   What need one?


LEAR. O, reason not the need! (2.4.254-58)

    Polonius was talking to Reynaldo to spy on Laertes. He said to get the truth out of saying a lie. “Your bait of falsehood takes this carp of truth: And thus do 
we of wisdom and of reach, With windlasses and with assays of bias, By 
indirections find directions out:” (2.1.68-71). I think this quote is true 
because in reality, to get the truth you have to catch people in a lie. 
Sometimes I actually do this.